State Farm

Being arguably the most famous logo designers in the world is not an easy task. The more press one gets, the more people expect greatness. After so much greatness, even your not so great work can easily be heralded as top notch. Even the best of the best sometimes miss the mark... even if no one seems to notice. Chermayeff & Geismar are the folks behind iconic logo masterpieces such as Chase, National Geographic, Mobil, NBC, Harper Collins, Pan Am... and on and on. Even as time wears on, new talent is brought aboard to keep the company fresh. Since recent partner Sagi Haviv joined the team, we have seen beautiful work for the Library of Congress, Armani Exchange, and Conservation International. Unarguably great design work. Let's make this clear. I am not normally one to say "I could have done better myself". It is hard to say that when you are not the one that sat through the meetings, talked with the clients for endless hours, and studied all the ins and outs of the company for days on end. But I do have a hard time believing that the new identity for State Farm is the best Chermayeff & Geismar can do.

Here is what was nice about the old logo (pictured above): I have been a State Farm customer for years now, and personally had no idea the company ranked #37 on the Fortune 500. To me, a guy who usually does judge a book by its cover, the old logo comes off as a small town brand, and rightfully so. The somewhat dated feel of the icon made State Farm completely unique from the other insurance industry giants such as Nationwide and Geico, just to name a few. This logo, which hasnt changed much since my parent's parents bought their first insurance plans, always made me feel like someone out there cared about me. It takes me back to a time when values still meant something... even in the corporate world.

I can see why State Farm felt the need to freshen up. Not only do their own views toward themselves not necessarily line up with my own, but this old mark clearly reads "Auto, Life, Fire" contained within the small ovals. Understandably, in the modern world, their coverage has evolved past that simplistic 3 part model. So fast forward to 2012, and this is what we see:

To most, the change might not look like much. Simplified.. cleaned up.. largely familiar. But it is how simple it is that bothers me most. I don't like how familiar it feels compared to those other insurance companies. The new mark feels lifeless, and above all, corporate. Once past the general aesthetic, the logo doesn't fare any better in my mind. I miss how cleanly the old ovals flowed in to one another. They had a very continuous rhythm which conveyed the sense of lumping all your insurance into one provider. The new ovals are awkwardly spaced, and really, appear all too separate. Upon close examination, the stroke's edges are hardly touching... where in the past, all three ovals shared the same stroke.

Although disappointed to see my long time insurance company get this updated look, I can't say that it is all bad. If you take the time to look at the logo in use - on mobile apps, websites, etc. - it fits in well. While I may not like it, it serves it's purpose. To many, I am sure it comforts consumers to know that their company is still competitive. Outside the super-picky, I can only imagine that most see this new design as yet another home-run for Chermayeff & Geismar... or if not a home-run, at least a nice double batted into left field.

2012!

This past weekend as I was working on updating my personal website, I realized that in the mass of blogs I have owned over recent years, I have forgotten about this one. After a little bit of a scavenger hunt of trying to remember the password here, I am back and hoping to give Beyond the Headlights more attention. In my time writing for hockey blogs and the like, I found myself spread too thin. It is time to refocus, being a new year and all, and work more towards promoting myself in this virtual jungle. It has been a long time since I have sat down to write about my passions for design/photography/art, etc... (aside from 140 character tweets you may read if you follow @michaelartman). Hopefully with a new year comes plenty of inspiration. Check back soon for updates.

The Branding Iron // Starbucks

While shuffling through the daily news, a startling headline caught my eye: "Starbucks Unveils New Logo".

In the midst of recent, and tragic, rebrands of many global companies, us consumers are almost at the point where we shutter in fear at the words "new logo". It seems to have been quite some time since a global brand rolled out a new look that was largely successful.

The problem with coming out with a new look once you are an established global brand lies in customer recognition and familiarity. Changing the game tends too alienate the very people you are trying to please... the consumers. These brands have become so successful because people remember their brands and continue to use them. Once changed, people may begin to think that the quality of the company has also changed. Most of the world does not accept change very readily, so it obviously comes along with its fair share of risks.

Not necessarily a lover of Starbucks (I used to be before my girlfriend got a job at a Starbucks rival), as a designer, I have always been able to respect the quality of the Starbucks image. This is the result of millions of dollars spent to make them one of the most recognizable companies in the world. Unfortunatly, in recent years, Starbucks has been seeming to revisit the past. Going for a vintage look, bringing the word "tradition" back into the coffee experience, we have seen Starbucks using old versions of their siren logo since 2008.

Although the new/old look seems to have never fully caught on, it has been seen on various packaging on the coffee giants products. The logo has taken a lot of flak, primarily for the naughtiness of the nude siren illustration. It seems odd that Starbucks would go back to that look after spending so much to clean up their image.

Worse yet, are more recent rumors of a new siren that was being seen on packaging. This siren (pictured below) has an even more illustrative quality, and is obviously not logo material. I doubted the rumors of this being used as a logo, but stranger things have happened.

So today, as I hear of this new Starbucks logo, I feared the direction that the company was taking. It has been 40 years since the company had started, and if there is anything that usually ends in disaster, are anniversary marks. They normally are an under-thought revitalization of an original mark. The perfect excuse for Starbucks to abandon years of quality marketing to use their old naked siren full time once again.

Luckily for us, rumors had once again been wrong, and Starbucks actually made a leap into the future. The move is almost trendy in a sense, but trendy things must go out of style, and I cannot picture anything of this caliber going of of style.

Rather than trendy, I see this current move of brands getting stripped down as a renaissance in logo design... A revitalization of the ideals that came out of the great iconic brands of the 50's and 60's.

Starbucks was never one of the brands that took on the trendy look of the times. Their look as always been iconic. I never expected their identity to be capable of being stripped down further. But I was wrong.

Removing elements from your design always help make it more recognizable. The simpler the icon, the easier it is for viewers to recognize. So here you have it.. the new simplified look of Starbucks.